Lesson 12: Eighth Notes and Faster Rhythms
- Play even pairs of eighth notes at a steady tempo.
- Play a melody whose character depends on rhythmic evenness.
Speed is rhythmic accuracy at tempo, not faster fingers.
Eighth notes are two to the beat: “one-and, two-and,” or the ti-ti from Lesson 6. The challenge is not finger speed but evenness — beginners drift into long-short pairs because the tongue lingers on the downbeat. Articulate each eighth with the too/doo family from Lesson 8.
Match the durations exactly: each eighth half as long as its quarter neighbour, no longer.
The metronome is your only judge.
Play: Yankee Doodle
A march whose energy lives entirely in its running eighth pairs. If the eighths are not crisp and even, the melody sags.
Land each string of eighths on a firm quarter; the F# at the end is last lesson’s cross-fingering.
Land each string of eighths on a firm quarter; the low B at the end (on your alto staff) is last lesson’s cross-fingering.
Now play these
- Yankee Doodle (full)
- The whole tune — eighth pairs from start to finish, against a steady two-beat.
- Lightly Row
- Steady quarters throughout — use it to feel the contrast with today's eighths.
- London Bridge
- Faster than last lesson, with the metronome.
When eight ascending eighth notes against a metronome sound metronomic, move on to Lesson 13.