Lesson 20: Early Beginner Review
- Play one piece each in C major, G major, and F major.
- Record the set; listen back; identify one strength and one priority for the next level.
- Lessons 11–19 — the early-beginner arc.
- Level review.
- Cumulative repertoire.
- Self-assessment.
Three keys, one player. The point of a level is the player who emerges from it.
You have learned two cross-fingered accidentals (F# and Bb), two registers, four kinds of articulation, rests, slurs, and dotted rhythms. Three pieces in three keys close the level. Pick one from each category. Pieces, not exercises — the goal is to make music.
In C major
The first key. Stepwise motion, no accidentals.
- Joy to the World
- A scale dressed as a melody. Dotted rhythms and shape.
- Ode to Joy
- Beethoven's tune. Build through four phrases.
In G major
One sharp (F#). The second key.
- Scarborough Fair
- An English folk ballad. Modal feel, slurred phrases, two-octave range.
- Yankee Doodle
- March. Bright, tongued, dotted rhythms.
In F major
One flat (Bb). The recorder's natural key.
- Silent Night
- Carol. Slurred, gentle, slow.
- Pavane: Belle qui tiens ma vie
- Arbeau's Renaissance pavane. Long values, dignified motion.
Warm-up — three scales
When you have a recording of three pieces in three keys, played end-to-end without retakes, you are ready for the lower-intermediate level. Move on to Lower Intermediate.
For listening-back guidance, see preparing to perform.