Bourrées I–II–I — complete selected principal melody, BWV 1009
Lead every pickup into the minim pulse. Sustain the tied note and final fermatas. Composer: Johann Sebastian Bach (1685–1750)
Published: Stelios Samelis, Mutopia 890 , public domain; Alfred Dörffel, Bach-Gesellschaft 27.1 (1879), p. 72 and critical note XXXIII .
Original: Cello foreground uniformly up M13: soprano A major/A minor, C#4–D6; native alto D major/D minor, F#4–G6. Lower chord/voice notes, phrase slurs and dynamics omitted; beaming normalised. The final I fermata follows BGA. II retains its historical signature. II.4 keeps source A3; the above-note flat records Kellner’s A-flat alternative.
Advanced: prepare Lesson 50; review C#6 (alto F#6 needs bell closure). High fingerings vary by recorder.
Notes Used: C#4, D4, E4, F#4, G#4, A4, B4, C5, C#5, D5, D#5, E5, E#5, F5, F#5, G5, G#5, A5, B5, C6, C#6, D6
Notes Used: F#4, G4, A4, B4, C#5, D5, E5, F5, F#5, G5, G#5, A5, A#5, Bb5, B5, C6, C#6, D6, E6, F6, F#6, G6
Time Signature: 2/2 · Key: A major
Time Signature: 2/2 · Key: D major
Fingering Review
Complete music
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Key: D major
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Key: A major
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Key: A major
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Key: A major
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Key: A minor (historical signature: 1 sharp: F#)
Key: D minor (historical signature: no sharps or flats)
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Key: A minor (historical signature: 1 sharp: F#)
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Key: A minor (historical signature: 1 sharp: F#)
Key: D minor (historical signature: no sharps or flats)
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Key: A minor (historical signature: 1 sharp: F#)
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Key: A major
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Key: A major
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Each strain repeats initially; I returns without repeats. All repeats and the return are written out.
Practice
Key: A major
Key: D major
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