Lesson 78: Handel Sonata in A minor, HWV 362 — Adagio, Allegro, and Whole-Work Assembly
- Learn the Adagio (movement III) and the closing Allegro (movement IV) of HWV 362.
- Assemble all four movements into a complete sonata performance.
Two Handel sonatas, four movements each. After tonight, you can claim them.
This lesson finishes the sonata: the harmonically intense Adagio, the closing Allegro that lifts the piece into motion, and the whole-work assembly.
Movement III — Adagio
Brief but the most harmonically intense section: eight bars of denser dissonance and tighter resolutions.
Quarter = 48; ornament as in the Larghetto — distributed, restrained, one per gesture.
Movement IV — Allegro
A presto-style finale of running sixteenths, felt in a brisk two — bright in a way the rest of the sonata has not been.
Articulation for the closing Allegro
Slur the sixteenths in pairs within each beat, tongue between beats, detach the eighth-note pairs — lifted, never heavy.
The whole sonata, end to end
The rests between movements:
- Larghetto → Allegro II
- Ten beats — the lament must clear.
- Allegro II → Adagio
- Eight beats — the drive must settle.
- Adagio → Allegro IV
- Six beats — the closing Allegro follows quickly.
Comparing HWV 362 with HWV 360
- Key: G minor is graver, more public; A minor more lyrical, more interior.
- Opening: HWV 360 descends through a tetrachord; HWV 362 begins from a held A and turns.
- Fast movements: HWV 360's Andante is contrapuntal and chromatic; HWV 362's Allegro simpler and faster.
- Closing: HWV 360's Presto restates the opening lament transformed; HWV 362 breaks into perpetual motion.
Play both sonatas in the same week if you can; the comparison is the education.
Now play these
- Handel: Sonata in A minor, HWV 362 — complete
- The library entry has the Larghetto and Adagio; the Allegros come from your full score.
- Handel: Sonata in G minor, HWV 360 — Andante
- The comparison reference.
- Handel: Sonata in F major, HWV 369 — Grave
- The next Handel sonata to point toward.
When the complete HWV 362 plays end-to-end with audible affect contrast across the four movements, move on to Lesson 79.