Recorder Sonata in C minor, TWV 41:c2 - Complete

About This Piece

Composer: Georg Philipp Telemann (1681-1767)

Difficulty: Late Intermediate

Notes Used: C, D, Eb, F, G, Ab, Bb, B (natural), C (high), D (high), Eb (high)

Key: C minor

Movements: I. Grave - II. Vivace - III. Andante - IV. Allegro

Fingering Review

Movement I - Grave

A French overture-style opening with dotted rhythms and stately character.

Movement II - Vivace

Rapid fugal passages with imitative entries and sequences.

Movement III - Andante

An expressive movement exploring the relative major (Eb) and rich harmonies.

Movement IV - Allegro

A virtuosic finale with rapid arpeggios and scalar passages.

Ornamentation Guide

Practice trills with flat key signatures (Eb, Ab, Bb).

Add proper French-style double-dotting and ornaments.

Technical Exercises

Master the scale with Eb, Ab, and B natural.

Practice C minor and diminished seventh chords.

Work on smooth transitions between natural and flat notes.

Performance Practice Notes

Historical Context

Telemann's C minor Sonata, TWV 41:c2, is one of his most dramatic works for recorder. C minor was associated with profound expression and pathos in Baroque music theory. The opening Grave movement follows the French overture tradition, with characteristic dotted rhythms that should be double-dotted in performance. The Vivace demonstrates Telemann's skill at contrapuntal writing, with fugal textures and imitative passages. The Andante provides respite by modulating to the relative major (Eb), showcasing Telemann's lyrical gifts. The final Allegro is technically demanding, requiring secure command of flat fingerings and rapid passage work. This sonata represents advanced late intermediate playing and prepares students for fully professional-level repertoire.

Performance Goal: Master playing in three flats with confidence. The contrast between the solemn Grave and brilliant fast movements should be striking. This sonata demands both technical precision and dramatic expression, making it an excellent preparation for advanced Baroque repertoire.

Practice Strategy